Statement

At the centre of Jo Chate’s practice is the exploration of space and how we experience the world we live in, our environment and surroundings. Her way of working is exploratory: surveying, looking, and transforming. Starting with photography to capture moments and phenomena from everyday life, she transforms the quotidian to create complex, enigmatic paintings.

Alongside working on paintings Chate experiments with painting on prints, found frames and her own photographs. Working with underpaintings has become part of her methodology often painting over the surface again and again. This formal process is all part of defamiliarising the familiar, absorbing and changing, until the final image evolves incorporating traces from the ones which we can no longer fully see.

Having worked in film and having studied human geography, the environment and our relation to it lies at the core of Jo Chate’s practice. Her landscapes are inhabited spaces, even if they appear empty we can feel the presence of protagonists. Chate paints the landscape as having agency, being dynamic and narrating its own story.

Throughout her making process dance plays a foundational role. Colour and form is created through her perception and the movement of her body. The choreographic physicality in the making of the work creates rhythm and a sense of movement across the canvas. The paintings carry their own internal rhythm.

Jo Chate’s work embraces dualities balancing structure and chaos, mental and physical space, it hovers between the abstract and the figurative. All the elements are fluid and tangible, they conjure and collide with an emotional intensity, resulting in connections and complexities that are not easily definable.

In an attempt to communicate something other than representation, Chate’s paintings go someway beyond depiction or language toward a re-imagining of the world. As the surface is activated translating internal space into visual terms, the paintings ultimately become the site of transformation; refracting and colliding memories with future recollections.

CV



ART EDUCATION

2002 - 2004  Royal College of Art, London. MA in Fine Art Painting (distinction for dissertation)   

1999 - 2002 Kingston University. BA Fine Art. 1st class                      

1998 - 1999     City & Guilds, London. Foundation Diploma                        



ONE AND TWO PERSON EXHIBITIONS

2017            NOTES FROM THE WHITE BOOK with Sarah Dwyer, The Perfume Factory, London.            

2012             ANGELIS DEFENSA Vicoli Poli popup space, Spoleto, Italy. Solo show during Dei 2Mondi Fesitval

2001            KINKY VISUAL POLLUTION UniLever, Kingston. Solo Show

 

EXHIBITIONS

2023 OPEN04 Excelsior, London

2023 CUSTARD SPLITS SET London. CURATED

2023 THIS YEARS MODEL 2023 PART III Studio 1.1 London

2023 SIDE STEP SET London

2022 WOMXN - FAIR ART FAIR CURATED II Unit 1 Gallery | Workshop London. Curated by Beth Greenacre and Jo Baring

2021            EUTOPIA Generation and Display, and Excelsior, London. CURATED

2020            HASTINGS OPEN 2020  Hastings Museum and Art Gallery

2020            THIS YEAR’S MODEL ’20  Studio 1.1, London

2018           AN EXQUISIT MESS Pop up space, London         

2016             STEWARTS LAW RCA SECRET Royal College of Art, London (also 2012-18)

2013           FIRST COME FIRST SERVED Lion and Lamb Gallery, London

2012            LET THE WORLD SLIP Lion and Lamb Gallery, Turps Banana, London

2011            RCA SECRET Royal College of Art, London (also 2006 – 2010)

2010            ARTWORKSOPEN Barbican Arts Group Trust, London

2008           NEWWORK Gallery Space, Great Western Studios, London

2007            MY PENGUIN 39 Gallery, Mitchell Street, London

2006          HOW WE DWELT IN TWO WORLDS Blyth Gallery, London. CURATED

2005            PECULIAR ENCOUNTERS ecArtspace, London.

2005           ARTFUTURES Bloomberg, London     

2005           SYNCOPATIONS Wetterling Gallery, Stockholm, Sweden.

2005           ANYWHERE OUT OF THIS WORLD Plattform, London.

2004            22EXHIBITION Ladbrook Hall, London.

2004           THE SHOW Royal College of Art, London.  MA show

2004           COMMON GROUND Chambers Gallery, London. CURATED

2003          REDUCED Century Gallery, London             

2003           WHO’S HOWIE Royal College of Art, London

2002           14 X 14 Century Gallery, London

2002           SIDEBYSIDEBYSIDE Century Gallery, London

2002            MIXUP New Inn Space, London

2002           TEN DIALOGUES New Inn Space, London

2001           SMALL WORKS The Pump House, London

2001            DAUB Pop up space, London. CURATED

2000            UNTITLED The Loading Bay, London